David Ames Curtis, who studied Philosophy at Harvard University, is a Massachusetts-born and Paris-based translator, editor, writer, and citizen activist. He has worked in the States as a multiracial community organizer in the Carolinas and as a feminist union organizer at Yale University. At Yale, he also directed research for Henry Louis Gates Jr.'s Black Periodical Fiction Project. With Gates, he established the authorship of Our Nig (1859), the first novel published by an African-American woman.
Curtis's translations and writings appear in American, European, and Australian journals and books. Among those whom he has translated are: Cornelius Castoriadis, Fabio Ciaramelli, Pierre Lévêque, Claude Lefort, Jean-Pierre Vernant, Pierre Vidal-Naquet, and Jean-Jacques Lebel. Thus far, he has translated and edited more than a million words of Cornelius Castoriadis's writings, and he was the guest editor of a special issue of the Australian journal of social theory, Thesis Eleven, in honor of Cornelius Castoriadis on Castoriadis's 75th birthday.
For each of his book-length translations, Curtis writes a Translator's Foreword, each time new and each time improvised in both content and form, to express, through a philosophical reflection upon his own lived experience as a cultural worker, how he himself has been transformed by the inherently disturbing process of transforming the significations of one linguistic community into those of another.
Cofounder in 1990 of Agora International, an organization committed to furthering the project of autonomy in all its facets, Curtis currently coordinates work with a nineteen-language Castoriadis Bibliographers' Collective as part of the Cornelius Castoriadis/Agora International Website. He has spoken on Castoriadis and his legacy at various international conferences in France, Germany, Greece, and the USA.
Curtis is also the Administrator of the Paris-based arts organization Mon Oncle D'Amérique Productions—which presents the "site-responsive," "multi-arts," ambulatory performances of dancer-choreographer Clara Gibson Maxwell in such major architectural spaces as Frank Lloyd Wright's Taliesin West, a Le Corbusier monastery, and Mexico City's sixteenth-century House of the First Print Shop in the Americas—as well as Secretary-Treasurer of the Appalachian Springs Foundation.
Curtis—who went on his first date with Maxwell, his life-partner for now going on four decades, to Walden Pond—is pictured at left standing in front of a replica of Thoreau's cabin. A 15-minute video discussing his personal philosophical trajectory in relation to Henry David Thoreau can be viewed here: http://vimeo.com/30002119/. The image at the top of the Thoreau Polymonophonic Journal Project’s main webpage, which offers a view of one of Thoreau’s desks, was taken by Curtis in the early 1970s.